![]() ![]() ![]() As for her client’s signature Serena van der Woodsen mane? “In the fall we’ll go back to blond for Gossip Girl,” O’Connor says, “but in the meantime, Blake’s having fun with the change. Director Martin Campbell Moods Thrilling Outlandish Emotional Spectacular Tense Cast Ryan Reynolds as Hal Jordan/Green Lantern Blake Lively as Carol Ferris Peter Sarsgaard as Hector Hammond Mark Strong as Sinestro Tim Robbins as Senator Hammond Jay O. ![]() The golden color will fade back to blond.” To avoid dull color and damaged ends (or looking like you’ve had one too many dye jobs), O’Connor recommends using Kerastase’s products for color-treated hair. To achieve the necessary dimension for Lively’s look, O’Connor applied three shades of red: “A golden apricot, a very coppery copper and a ruby copper. 3 Her Star Sapphire form did not appear until Green Lantern vol. Publication history edit Carol Ferris first appears in Showcase 22 and was created by John Broome and Gil Kane. “I look at hair color through a camera’s eye you need to give it lots of dimension or it will look flat,” says O’Connor, who’s known for creating signature shades like Debra Messing’s auburn locks on Will & Grace. Carol Ferris made her cinematic debut in the 2011 film Green Lantern, portrayed by Blake Lively. She went to Beverly Hills-based colorist Rona O’Connor of Lukaro salon for her blond-to-red transformation. It sounds extreme, he says, but hair color often affects how moviegoers perceive a character: “Blond says cute and quirky like Reese Witherspoon or Goldie Hawn, but brunette is instantly associated with dark, mysterious and seductive - Blake’s character needed to be those things,” Ortega says.Īfter Lantern wrapped, Lively wanted to be a redhead for her role in Lighthouse Entertainment’s indie film Hick (to be released in 2012), and this time she decided on a dye job. He admits that finding that flawless shade, which involved three weeks of hair and makeup tests, was the most involved process he has ever been a part of for a movie. “On the big screen, you can see when something’s wrong the last thing you want is for someone watching the movie to get distracted by her hair,” says Ortega, adding that everyone on the film’s Louisiana set thought Lively’s wig was her actual hair. Rod Ortega, Lively’s hairstylist on the Lantern set, stresses the importance of creating a seamless illusion with a wig, especially because the HD lens picks up on things you normally wouldn’t see. ![]()
0 Comments
Leave a Reply. |